Structure complete, got a round of reddit feedback in, and have not yet made post-feedback changes. I have a number of things I want to do, including cleaning up the chorus vocals (new takes probably). New lyrics for Verse 2 (possibly a new flow there as well). Some more mix tuning up i think may be needed as well.
From feedback I want to try extending the intro, and try to add another bar or two in the middle somewhere where it ramps all the way down to nothing but a vocal, both these things would probably extend the track a bit and ease out the first lyrics coming in a little abruptly.
About The Track
I was struggling for a few weeks to find a concept i thought was worth making into a track. It was one of the longest ‘downtime’ creative periods in the last year. I couldn’t think of a cool enough concept, none of the grooves were clicking with me … on and on.
The 3rd empty handed weekend was approaching, the last few days of August. If I did not make a track before the end of the weekend it would be the first time since the project start that I did not reach my two track a month production goal. I did not want to let that happen.
I needed to just make something start to end, even if it wasnt great, just hit the goal and keep things moving. “Make it just to make it”.
The song is about making a song for the sake of making a song, this is something I often do. I think some artists might disagree with this, that ‘great music’ takes time and should not be forced. However, its the process that i really enjoy, I just want to have some fun with my hobby – it doesn’t have to anything more than that. The message of the song is supposed to be exactly that.
This track is a collaboration with Dreams of Lasers . It’s fairly unusual for me to get involved in colab projects, and it’s not something I’m normally seeking out to do. However! About a week and a half ago Dreams of Lasers (DOL) sent me a note in the IMF discord expressing interest in doing a collaborative project with me. I am a fan of Dreams of Lasers, I really enjoy his style and when he suggested a collab I knew out the gate there was some potential for something good to come out of it. The track that I currently enjoy most of his is In America. Definitely check out some of his work, follow on Soundcloud and Spotify.
How the project ran:
I don’t have much experience with doing a music collaboration over the internet. Neither of us seemed to know how projects like this ‘are supposed to run’ we both created some ideas and passed them back and forth. I spent 2 nights exploring ideas I thought could work with the DOL sound, and settled on a small snippet that is now the intro of the song and basis of the chorus.
Eventually we kind of settled on this riff, with DOL sending me guitar parts, vocal melodies, song sections, and we had a pretty much daily discussion about the direction of the track and left with a few action items each. The first groove I sent him was based on the sound of Britney Spearks ‘Lace and Leather’ . It was almost entirely rythem based and had no chord progression. DOL said he liked the vibe but needed more chords to in it. I went back to the DAW and made a …. slightly better concept:
Most of the stuff I make is dead simple as far as chord progressions and overall technicality of the songs goes. DOL being involved in the project I think helped expand the songs musicality, transitions, and overall vibe.
The next day:
hah! ain’t that the truth, I often do these I IV ‘s because its so easy for me to come up with vocal parts for them, sometimes too many options can be a new kind of difficulty. I sent this back to try to push a direction on vocal melodies, or at least inspire one. This was the first verse lyrics and singing (still in the final song) . At this point I established ‘the reason im here’ as a vocal hook. This is really the end game goal for any music project I am involved in. This is my hobby, its supposed to be fun, i do it because it is fun. We both had a good time doing this (I think) . GOAL ACHIEVED
The Next Day:
I new vocal part was made for a 2nd verse , this take is in the final version on verse 2 (after the bass solo).It was DOL’s idea to go deep on vocal harmonies. I like the way these ended up coming out.
A few days later…..
I LOVE the C part on this track. It’s existence at all is a DOL creation. It comes after the first verse and has that funky slap bass line in it.
There is a lot more to the conversion, but I think whats above here paints an overall picture for how the project worked. Back and forth daily discussions on the track and parts getting traded pretty much daily.
We continued back and forth like this each day. I was helming the DAW (Reason 11) and overall production, and DOL was sending me parts to use , and ideas for how to lay out the structure of the track. Most notably.. the ‘C Part’ was a progression, with vocal melody and lyrics, he sent me that comes after the first chorus. I originally had a much softer bassline in the part, and intended to feature guitar playing there. DOL suggested I instead funk it up with a SI style bassline. I spent a night working on a groove that fit in the progression. This C part is probably my favorite section of the song now – I love the way it came out.
There was a fair amount of back and forth on that C section, getting into it smoothly, getting out of it smoothly, with multiple changes made through the course of the project.
Beginning to end this col-lab took about a week and a half to make from (what should we do to structure complete track). I plan on doing another track with DOL turned the other way around. Where he runs the DAW and i send parts and ideas over (if hes up for it).
On the lyrics
I had kind of stumbled into ‘the reason im here’ as a hook and initially was building around that. I like this phrase as its interpretation can be broad. The reason for doing anything, or a specific thing, each listener could draw a different ‘reason’ for what its about. My first verse is ‘locked inside my room, on a sunday afternoon, thats the reason i’m here’ – literally the reason the track is made is bc i focused in on it for a sunday afternoon. A little meta lyric there. Then ‘barefeet i stand in the grass and the wind blows my hair in front of my glasses.. i dont care, thats the reason im here” Is a new context – The reason i came outside was to feel nature and the wind blow in my face. Overall its meant to be a little vague as to what exactly ‘the reason’ is , but enough of an overall vibe to deliver an internalization to a listener about what their reason is for doing anything.
Production Stuff
EZ Drummer:
I recently picked up EZdrummer, up to this point I had been playing it on my AKAI drum pad midi controller. This track I used mostly EZdrummer pre-made midi patterns and assembled them into sections.
This is the first track I’m using my new EZdrummer purchase on. EZ drummer is great for realistic ‘recorded’ sounding drum parts. I’m using the built in drum midi phrases assembled together and it plays through most of the track with several changes. (there area also a few other drum kits in the track played on my Drum pad thing finger style)The current layering in my daw. This song uses a handful of reason synths, Serum, EZdrummer, Reason drums, and recorded vocals, basslines, and guitar parts.
The Electric Bass
This is a fairly standard bass set up for me. Guitar rig with HIKU and a pump. Below is the Guitar rig preset used.I’m using the ‘Black Stripe Army” preset. I did tinker the nobs just a tad if i recall (not positive) All of the electric bass parts. Each row represents a modified effects chain or mix modification. I often stack up layers with varying chains for a ‘cooler sound’.
Vocal Processing
Overall this is what im doing on the vocals. ITs kind of a lot of stuff. HIKU, Nectar, Retro Transformer, A Pump, Vintage verb, and Ozone 9 !! YIKES! seems like a lot, but hell I like it.
The Sub Bass
A sub synth bass is a staple of my style. I nearly always have one underneath the electric bass playing.
This is a Serum preset, I very lightly adjusted the filter settings but its pretty darn close the preset original.
The “Omnichord”
There is an omnichord sounding kind of synth subtly layerd behind most of the track. Its a WAVE Layers Edition preset called ‘Multi chord’
This is the part the multichord, and piano, and a pluck all play at times.
The Pianos
There are 2 traditional sounding pianos used, both done with Radical Piano in Reason 11. Also both on presets. One is ‘after dinner gatherings’ which sounds like an old piano that has been neglected.
The Chorus SUPER reverbed out guitar pluck
My 4 year old son has these 2 ‘kids guitars’. I used his electric one to record the chorus guitar pluck and put a guitar rig on it with delay and reverb verb on it, with a very aggressive pump to get that kind of washy reverb sound.This is an ‘aggressive pump’ with a low floor and sharp rise it creates the pumping sensation that when applied to the heavy reverb reminds me of like a VHS tape or something.
